Close Your Eyes and See in New Ways…

by Ari 25 Dec 2017 2 minute read 25.9K views 1.8K shares

Eyes closed….

When I wrote this article for notreble about playing without looking at the fretboard, about the micro and macro ways of feeling the instrument and how that can help us practice and play better, I did not at all expect to receive an email such as the below. Thank you, Eric, for sharing your story, and for inspiring all of us! 

Hello Ariane:

I hope this finds you well.  Recently, I read your article/lesson on “No Treble” regarding closing one’s eyes and paying closer attention to the instrument, body, and mind.  Enjoyed it thoroughly.

I am a totally blind bassist, and have had to learn to play in the dark.  I lost my eyesight in 2004 due to a skydiving accident.  In 2012 I got up off my duff, and decided to finally play the bass.

Several of your points/guidance within your article are immensely important!  I had to teach/learn myself several of them; body position(ing), landmarks within/on the instrument, sensing (“seeing”) fret spacing as one travels toward the 12th fret or the 15th etc.  While I have yet to find a piece of technology which can “read” to me sheet music, I can still remember 4th-6th Grade flute notes!  IReal Pro is helpful…Ear Training!

I purchased small, almost imperceptible, markers called “Loc-Dots.”  They are small adhesive markers which I placed about an inch from the fingerboard on the neck.  I have marked frets 3-5-7-9-12-15.  Hey, even I have to peek on occaission!

One thing I would stress for those attempting to close their eyes and play/feel is that no matter what they are attempting to practice blindly (take the C Major scale beginning on A-3) is to do it extremely-almost painfully-SLOW.  Slow is smooth, and smooth is quick.  Speed will come the more accurate and comfortable one becomes.

What am I trying to say?

Spot on article.

Our trio released an  EP this past February, and I have gigged about every 8 weeks since July of 2016.  If I can do it, anyone can!

I like to tell everyone, “I may have lost my eyesight, but I have clarity in vision.”
Thank you for your advice and guidance, and especially this article!

Warmest regards,
Eric K.
Seminole, Florida

PS: Check out Eric’s band here.

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Bassist, author, educator.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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