Two Essential Bass Triad Grips That Will Transform Your Playing

by Ari 25 Nov 2024 2 minute read

Mastering Bass Fretboard Notes

 

Mastering bass fretboard notes doesn’t have to be a chore. Using a variation of the familiar bass line from “Under the Boardwalk,” we’ll explore two practical fingering patterns for major triads that you’ll actually use in real playing situations.

Two Essential Major Triad Patterns

Pattern 1: Three-String Pinky Lead

  • Start with your pinky on the root note (E or A strings)
  • Ring finger plays the third (one string higher)
  • Index finger plays the fifth (one more string higher)

Pattern 2: Two-String Second Finger Lead

  • Start with your second finger on the root note (on the E, A or D strings)
  • Index finger plays the third (next higher string)
  • Keep the fifth on the same string
 
The numbers in the diagram below are scale degrees:
triad shapes for bass guitar fretboard notes

Why These Patterns Matter

  • These fingering patterns are essential because:
    • They’re economical movements that reduce hand strain
    • They position your hand for smooth transitions
    • They work in any key across the fretboard
    • They’re used in countless bass lines

Practice Tips for triad based grooves such as  “Under the Boardwalk”

1. Start slow, focusing on clean note transitions
2. Practice both patterns in the original key
3. Move the patterns to different keys (like we do in the video)
4. Pay attention to how each pattern affects the groove’s feel

Building Fretboard Knowledge

As you practice these patterns, you’ll naturally begin to:
• Recognize note locations across the neck
• Understand the relationship between notes
• Develop muscle memory for common chord progressions

Remember, the goal isn’t just to memorize patterns but to internalize how notes relate to each other on the fretboard. These practical fingerings will serve you well in real musical situations.

What’s your preferred fingering pattern for major triads? Share your thoughts in the comments below!

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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