In Ari’s “Music Theory for the Bass Player” book you learn the foundation, the lego pieces music is made of, AKA “theory”.
You understand how the fretboard works and how music works.
You embrace the importance of shapes, fingering and technique.
You get a solid theory foundation.
In Ari’s and Wolf’s 20 Unit Theory Course you put these lego pieces to work and construct your own bass lines and practice theory, styles, and note finding with Ari.
You learn to bring theory to life through improvisation.
You make these shapes yours by putting them into a variety of contexts and you begin to discover “your voice”.
Your technique begins to relax, and your solid knowledge gives you confidence!
What comes next?
Based on five basic scale patterns you learn the fretboard inside and out. All keys, all across the fretboard, vertically, horizontally, diagonally! First, the shapes themselves, then “shapes within shapes”, such as triads, pentatonics and modes.
And that is just one exciting part of it:
A pattern doesn’t just refer to a pattern on the fretboard – Music itself is made of patterns!
The Pattern System teaches you how to think music and to translate this music onto your bass (fretboard) instantly and ultimately effortlessly.
🎯 Learn five shapes and divide the bass into six areas
🎯 Learn these shapes backwards, forwards, diagonally, vertically, in chord progressions, connection exercises and broken down into intervals and more
🎯 Use improvisation exercises to make these shapes yours in all keys and areas of the bass, systematically
🎯 Do mind-bending drills that train you in the patterns of the fretboard and those of music at a depth you never thought possible
🎯 Dive deeply into the wondrous world of “shapes within shapes”
🎯 Follow precise instructions on how to practice – including visualization practice away from the bass – represent and manifest music’s patterns in your mind
🎯 Learn to think ahead – a vital skill for coming up with cool lines on the fly
🎯 And how to play without looking at the fretboard
🎯 Systematically train your musical mind
“Training the musical mind means” means mental practicing of any aspect of music.
Simply put: without the mind, there is no music. No mind – no sound will come from the bass.
The mind uses our body to translate the music in our mind onto the bass.
It’s easy to get this backwards and to think the instrument creates the music. Yet it’s not so.
Rather, we use the bass to convert what’s in our minds into sound, into music.
Mental practicing is the ultimate goal and tool for deep learning.
All the physical stuff (ie the movements) ideally is an expression of what the mind creates.
That’s tricky, because often our conscious tracking of movements is not fast enough to keep up with the music.
There is a lot to track at the same time: pitch, rhythm, form, band mates, audience etc.
Therefore we have to ingrain many of the tasks – make them automatic so our mind is free to jump around between things to track.
Laurent’s final submission of the Pattern System Level 3 Class.
After we watched his performance in class he described his process.
Anyone who has a desire to play freely and creatively. Anyone can learn this. Be aware that theory fundamentals (intervals, chords, keys, the diatonic cycle, the cycle of fifths, scales, modes) are required, so start with “Music Theory for the Bass Player” if needed. You will practice all these theory items all over the fretboard, in all keys, step-by-step and creatively so you know them inside and out. The “Pattern System” will open doors you never knew existed.
The CAGE System
The Pattern System