A Cool Scale to use over a Dominant: The Lydian Dominant Sound!
Dominant 7#11 – The Lydian Dominant Sound Dominant seventh chords are all about tension! Why? Quick reminder, there is a tritone between the third and
Dominant 7#11 – The Lydian Dominant Sound Dominant seventh chords are all about tension! Why? Quick reminder, there is a tritone between the third and
Dmin sus or “D minor sus” Dmin means a D minor triad, the root, flat three, and perfect fifth. D sus means a triad without
Why We Want You to Create Your Own Basslines Right From The Start Have you been playing for quite a while and been mostly copying
A Quoran asked whether it matters to call the middle note of a C minor triad D# or Eb D# or Eb? Oh, yes, does
It’s a fair question… after all, we learn to identify which key a piece of music is in, and we carefully think about functions of
Take it from my student Stephen: This is how you know… that you know modes! My student Steve was kind enough to let me post
I have heard these sentiments about the magic of music over and over: Doesn’t “knowing” get in the way of pure “feeling”!? Aren’t you constantly
A Quoran asked about pentatonic scales in instrumental solos, I answered. It is a good question. Did you, for example, know that the pentatonic scale
We are getting all Shakespearean here but it is indeed that deep (ha!) of a question: To Fill or not to Fill? Whether ‘tis nobler
Working on Walking Bass? Creating an interesting walking bass line over changes is one part art, one part science (music theory) and a whole lot
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