Triplets in Walking Bass Lines

by Ari 5 Jul 2018 3 minute read

Working on Walking Bass?

Creating an interesting walking bass line over changes is one part art, one part science (music theory) and a whole lot of feel .

Well, how can we turn this somewhat cryptic recipe into a useful recommendation for walking chord changes to give your own lines an instant lift?

Walking bass lines live by:

  1. Tonal material that
    1. outlines the chords and
    2. creates a counter melody
  2. Great swing feel
  3. Awesome phrasing
  4. A solid pulse with cool variations

Let’s briefly take a look at each of these:

  1. A lot of time is typically spent worrying about the first item, choosing the right notes. It is easy to teach – typically involves quite a bit of theory (chord analysis, arpeggiation, scalar patterns, approach notes) and (hopefully) recommendations on how to create certain effects by using the range of the bass and creating a contrapuntal melody while supporting what is happening in the rest of the band.
  2. Great swing feel, however, is equally (if not more!) important than the correct roots, thirds and fifths. Here is an episode that talks a bit about that.
  3. Phrasing – good phrasing can make or break any playing. Be it walking bass, rock, pop, funk, you name it. Good technique is the foundation for ensuring your tone sounds even and you have control over your note length.
  4. And then: Rhythm! Once you have worked on your swinging quarter notes and have a great pulse going legato style as well as portato style, and have added skips (or, as we call them, “burps”!) you can expand your palette of rhythmic variations to include triplets! A solid pulse with cool variations – I have an episode of Talking Technique for you today on tackling triplets. Drops, triple burps, whatever you wanna call them, check out how they can triple (ha!) a line’s effect.
    Always use with taste and keep in mind that the systematic exercises that I recommend are designed to help you build your palette. Practicing in the rehearsal room doing triplets on an assigned regimen of beats will give you freedom and flexibility so that on the bandstand you can place them creatively and effortlessly when they fit.

PDF is here

Here is the episode on Talking Technique.

 

Music Theory for the Bass Player – the course – dedicates two “Styles Labs” to walking bass lines. Applying the theory we learned throughout the course in grooves makes it all easy to remember and applicable and helps you get more freedom and confidence on the fretboard.  Music Theory for the Bass Player.

This instructional material is excellent; well thought out and methodical and clearly presented.

David C, Course Ninja

Music THeory for the Bass Player The Course

Favorites:

Subscribe to Newsletter

Related Posts

Tracie Cohort Image

The Power of your Accountability Coach

bass warm-up

Your Hands Don’t Have Muscles (But They Have This)

Ariane Cap Bass Improvisation Tips

Knowing the notes isn’t the hard part. This is.

Chromatic Groove in 7/8

Chromatic Groove… in 7/8!

Shop on Amazon

More articles you might like:

Bassist, author, educator.

Groove enthusiast and learning nerd.

Joined by 15,000+ Bassists

Your Instructor

Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

Read more…

Get Ari's
Notes to Self (and Bassists)
into your inbox once a week

Videos • Tips • Practice Hacks • Transcriptions