This Talking Technique Hit Home: “Burps”

by Ari 25 May 2018 1 minute read

This particular Talking Technique Episode got a lot of views, thumbs up and shares.

You can find three gems in it:

  • phrasing straight versus “swung” – even if you just play quarter notes
  • creating a rhythmic variation that enhances any walking bass line
  • how to practice any variation systematically (a bit bland sounding) so that you then have mastery over it and can use it at will on any beat (awesome sounding)

Of course, you can also find the tips for proper technique in it. And a recommendation for one of my favorite bass books.

What do you think, are you up for some “burps” in walking bass? They are often referred to as “skips” as well.

Here is the transcription

By the way, it all started when Lionel asked about these “burps” (his expression) in this episode on “Killer Dead Notes“.

Enjoy!

 

And learn more about music theory for the bass player, including stylistic analyses and walking bass in my course, Music Theory for the Bass Player.

Music THeory for the Bass Player The Course

Recorded on my Votan Marleaux

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TC Electronic Amp

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Sound by wolftrackaudio.com

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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