Adrian’s Silent Night Rendition

Student Feature Silent Night Adrian Pop

Student Feature: Adrian Pop

Today I received this email and video from a bass player, a student of the course and an avid follower of my blog.  It makes me so incredibly happy to read from course participants who dig deep in the course and make the material their own!

This is the kind of positive feedback that totally makes my day and inspires us to work even harder.

Adrian summarizes beautifully what our goals are with the way we present theory and how to apply it on the bass. I love it when students “get it” and tell us about how it frees their creativity and boosts their joy and confidence in making music!  I know our approach is at times more challenging but I also know that the rewards are huge for those who stick with it!

Sounding beautiful, Adrian!

 

Hello Ariane,

This video proves to me one more time that you are the very BEST Bass teacher on the planet.
Everything I learn with you (as I said before) makes sense and it is very easy to apply to my own style of playing.

That is what I love most about your lessons and about “The Course” because they help me to be ME.

I can apply my own feelings in what I play being INSPIRED and NOT depending on copying 100% some other players. YES !!!!
Thank you very much, Ariane for always spending your precious time to answer my emails and questions in the most professional way that I could expect.

Please feel free to use my review and video in any way you feel that it will be good and beneficiary for you in advertising the course and your lessons.

And all I want to wish this Christmas to every bass player on the planet is: ” Take a closer look to The Course if you want to be a better player ”
In the end, every single penny that you spend is worth it much, much much more. It was worth it for me for sure because I am a better player now. Yes, I am!

And I am a better player now only because I found the right person ( kind of late on my journey in life but ) probably at the right moment and that’s why I am soooooo exited and happy. Thank you Ariane !!!

I wish you and your family a very Merry Christmas and all the best in 2019.

Sincerely,
Adrian Pop

Send me your take on my arrangement, simple or advanced or a hybrid version!

Here are samples and a tutorial with PDF!

Happy Holidays, everyone!

How Low can you go? (Strap length for Bass)

strap length

Strapped for answers about strap length?

How low can you go?

Down Low for Maximum Cool Factor

Picture this:

Headbanging on stage, the bassist pounding the strings hard – sometimes with his fist – he’s loving it and the audience is feeling it! The bass hangs low – so low you can barely see his knees. His left hand clenches the bass with a fist most of the times. It’s an impressive display of raw energy and who wouldn’t want some of that for themselves!

High up for comfort

Then you go next door where a fusion band is playing. No light show, no hair flying. It’s a high energy of a different kind: Blindingly fast runs – in unison and sometimes interlocked. The bassist flies all over the fretboard seemingly having four hands with 10 fingers each! She plays chords, intricate grooves, solos and just watching the finger acrobatics makes you weary (even though it looks all so effortless!).

And her bass is held high close to her chin – or so it seems!

So, what’s going on here?

Why such a difference in strap length, (ie, how high/low the bass hangs)? I think the above scenarios pretty much give it away already. The demands on each player are vastly different in these situations. I deliberately created two extremes. Both are musically great. I don’t see one superior over the other. They just have different goals and accordingly different means of achieving them.

Heavy Rock: you better move around on stage, and at the very least: headbang.

Fusion: no one cares about your moves: the audience is focused on the music and immersed in the intricacies of the lines rather than the raw power of the riff and the “show”.

Fusion music is typically more complicated to play (although that is not always true. modern metal bands often do very involved stuff). The bass needs to be in a position where the fingers have maximum flexibility to execute various playing techniques like:

• Scale runs including chromatics – more challenging to play than pentatonics (again, I’m over-simplifying the comparison for demonstration purposes)

• Chord voicings that go far beyond triads or 1-5-8

• Groove lines that change often, require frequent changes of position, combinations of scalar patterns, stretch positions, double stops, chromatics

All very difficult and often downright impossible to execute when the bass is hanging very low.

How Low is Low?

As a ballpark guide, I consider it a low position (long strap length) when the left hand operates lower than your belt line.

It is at that point that you observe the following changes in your right arm:

  • The right arm can no longer fully rest on the bass which results in
    • an almost straight wrist!
    • the necessity to pull up the right arm or shoulder (which can lead to pain in the shoulder blades)
  • As a result of this, you get less help for the left-hand thumb (when your right arm rests on the bass, it stabilizes the neck and mitigates the danger of overgripping in the left hand  (ie, overworking the thumb by squeezing the neck)
  • the need to adjust slapping or thumping techniques (a low position necessitates coming to the strings from above and with an up-down motion with the right arm rather than coming from slightly below the string and flicking the thumb out with a twist of the wrist)
  • The right hand cannot easily pluck chords.

It is at this point that you observe the angle of the left arm and hand changes:

  • Stretching the left hand fingers over 4 frets becomes difficult.

So what are you to do?

Experiment.

Higher – easier to play.

Lower (longer strap length) – potentially higher coolness factor.

It really comes down to “How low can you go?” without sacrificing playing quality. Looking cool won’t matter much if your playing suffers.

What I do

I am very comfortable playing seated on a drum stool with my bass resting on the right leg. I aim to be completely symmetric, not twisted. This is the perfect length for me. My strap is set so that whether I sit or whether I stand, my bass hangs in almost the same position.

Bonus Tip: a wide, soft strap is always of great help! My favorite is the Scott’s Bass Lessons strap! It is wide and soft and super comfy!

strap length for bass

Seated, bass resting on the right leg

Standing, neck comes up a little but otherwise same distances

For optimal technique training, check out my Course, Music Theory for the Bass Player

Surprise your Family with a Christmas Song Solo Bass Style!

SIlent Night

My favorite Christmas song – Silent Night – for solo bass

Learn it now!

Enjoy my solo bass rendition of my favorite Christmas song which also happens to have been written by a fellow Austrian.

I have two versions for you – an easier one and a tougher one. First, here is the tougher one:

Want to learn how to play it?

Scared of the six string? No sweat, I show it to you on the four string 🙂

If you are afraid to get your fingers in a pretzel in the above version,  learn an easy version!

Easy Version Tutorial starts at 18:02!

Here are the PDFs:

Easy Version: Just Melody and Bass: Silent Night Ariane Cap Solo Bass EZ Version

Full Version: Silent Night Full Version

 Enjoy!

And if you liked this and are tackling it – I’d love it if you sent me a video or audio recording of yourself playing it! You can also post it right here into the comments, too!

I wish for your Holidays to be filled with music, family and love!

Merry Christmas!

Ari

PS: Also, check out my Truefire Pentatonic Playground DVD, it makes for the perfect gift for the bass players in your life (including yourself!). Truefire is running all sorts of specials right now. Make sure to visit!

Ariane Cap bass guitar lessons: https://truefire.com/e4365

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