Bach on Bass: Cello Suite #1 on Electric Bass

by Ari 30 Jun 2017 3 minute read

New playing video playlist: Bach Cello Suite #1 in its entirety

I recently released the entire Bach Cello Suite #1, all seven movements, on youtube. Let me know how you like it, please give a comment and a thumbs up.

Bach is an amazing teacher. Notice how the bass lines weave through the chords… simultaneously, they are marking out a melody as well as a bass line… I don’t know about you, but I see pictures and hear way more than just one instrument when I hear this: there are implied chords, a melody and a bass line. And I can put my attention into either of them and get lost in them. Bach reminds me of fractals, hence the visuals.

Playing Bach does absolute wonders for your playing technique!

Well thought out fingering rules almost every phrase. Economy of motion is super important to get it smooth.

I listened to countless youtube cello interpretations. Personally, I like Bach played with a groovy timing (rather than a very rubato one, after all, this is a baroque suite, a dance piece!). I like my Bach not too romantic with not too much vibrato. Unfortunately we have no recording and can’t ask the man how he intended it.

Are you looking to play Bach pieces, too? I have a few Talking Technique pieces coming up soon. I will post them here, in time, as well. It is a lot about technique, string crossing etc.

Here is the playlist, containing all seven movements of Bach’s Cello Suite #1 in G, played on electric bass. I am using my five string Marleaux Consat and go direct into Logic. Dean Markley SR 2000s are a big part of my sound, as are my great new RevSound Cabs and TC Electronic HeadsWolftrackaudio.com (Wolf Wein) did the sound. No pedals were used (or harmed!) in the making of this video, but Wolf applied reverb and fabfilter in post.

Enjoy, share, and like!

PS: Thank you for many comments and questions. Here the most common ones:

  • Which score did I use? Schirmer Library Cello score. #1 uses bass clef exclusively, so if you don’t read cello clef, you are good.
  • Is there TAB? I don’t have tab, sorry. Creating your own is a killer learning exercise! Go for it!
  • Free scores? Yes. Download Suite #1
  • How to adapt to bass? Not much needs adapting. I used harmonics for a few sustained notes, tapping in one of the slow movements to get all the notes in and I spread out the ending chord of the Prelude with harmonics because I preferred the sound. I encourage you to make it your own by looking to stay as closely to the original as possible. Consistent thought out fingering is key. Add harmonics, open strings and tapping on spots where needed.
  • And a tip: for an easy way to get your feet wet with some Bach, try this! In this Talking Technique Episode I transcribed a fairly accessible Bach piano piece, adapted it for bass and recorded it so you can take over the left hand or right hand and play in a duet with me in the video. Enjoy!
  • Got any other resources, Ari? YES!! I just recently got contacted by this cool Bach bass website on the Bach Cello Suites on bass! Check it out!

 

 

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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