Fast Fingers (TT #4)

by Ari 4 Jan 2016 2 minute read

Let’s Talk Technique of the Right Hand…

In this episode (number 4) of Talking Technique it is all about the right hand technique. Fast fingers… maybe you have been doing just fine with your right hand technique, but when those speed bumps arise it is definitely time to take a closer look. And, as always, does it sound even? I got a tip for you there! 

Today we’re talking technique with the right hand and getting those fast fingers. I’ll be going over the two finger alternating plucking style, which will get you through most playing situations.

Oftentimes, players get wrapped up in coupling their right hand and left hand processes when playing patterns. I recommend making alternating your fingers an automated process so you don’t have to think about which finger to use. That decouples your left hand from your right hand to free up your creative flow and timing.

We’ve got several patterns and approaches to clean up your right hand technique.

Here is the post on notreble.com:


Comment here, comment there… let me know how it is working for you!

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Thanks to Wolftrackaudio.com for audio post production.

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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