“Peter Gunn” Permutations | Bass Technique Application

by Ari 28 Jul 2023 1 minute read

Permutation bass technique drills give you a yawn? Then put them in the context of songs.

Permutations are an enormously useful technique drill on the bass. Here is a direct application – the original is in F and has an embellishment on beat 2 that I left out in this 1 minute short.

 

Free TAB and diagrams here

#A21

 

Video Transcript

There’s a drill that I call zigzag permutations: one two four three. One two four three on one string, then go up a fret and up a string, and then you keep that up until you get to the end of the fretboard, whereas you turn around and go down.

And try a tempo that’s challenging but not too fast. Make it sound good as if it were beautiful music. Relax, don’t over grip. You can also change the direction.

[ 🎵🎵🎵 Ari plays in the opposite direction 🎵🎵🎵 ]

Don’t look at the fretboard, just feel it. Looking for an application of this thing? one, two, four, three – one, two, four, three.

[ 🎵🎵🎵 Ari plays Peter Gunn riff 🎵🎵🎵 ]

Permutation drills explained:

📗 Music Theory for the Bass Player (book): https://amzn.to/3NtiiaR

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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