Pivot Permutations Series (Talking Technique)

by Ari • 10 Jan 2018 — 2 minute read

Pivot Perms…

Pivot PermutationsIf you have been following my prescriptions for good bass technique you have come across my recommendations for permutation exercises (powerful technique exercises to get your fingers nimble and moving independently from each other, yet in sync with your plucking hand); check out the basics of permutation exercises here, a few variations to permutation exercises, and how to do them if you struggle in lower registers of the instrument. There are many ways how you can do permutations, so here is one other way: I call them “pivot” perms.

The idea of the pivot is that we keep returning to the same finger throughout, and also place it on a different string. Here is a whole series on pivot perms. They will get your fingers moving and grooving, also with an application in the last episode of the three.

I often hear discussions about these types of exercises:

  • doubt about their usefulness – wouldn’t it be better to play some songs or music instead?
  • or worry how dangerous they are – will they break my fingers and give me tendonitis?
  • or maybe just how boring they are – not at all if done right!

Do yourself a favor and just do them.

  • Stop wondering, just do them and your songs will sound better.
  • Will they break your fingers? No chance! Not if you relax. Tension is the problem; learn to monitor for tension and let go of it. Permutation exercises give you the perfect opportunity to do just that! Pivot permutations are great for practicing relaxed playing!
  • If they are boring to you, you need to do something about that – use the PORA method and you will be sweating these little exercises mentally!

Three times for three minutes a day is plenty and your technique, tone, and playing comfort will soar. Also, your speed, if that is important to you. And, your phrasing, if you tune your ear to it.

These seemingly innocent exercises help you to stop fighting against yourself and let your music flow.

This Triple Series provides a fun challenge. Are you up for it?

Or visit part 1, part 2, and part 3 on notreble.com

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Bassist, author, educator.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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