Having difficulty playing Bach Cello Suite?

by Ari • 20 Jul 2023 — 2 minute read

If the opening statement of the Bach Cello Suite gives you trouble on bass, try this drill! It will keep your mind and your fingers sharp and it will get you going – Bach on Bass!

 

Free TABS and diagrams for you here 

#A13.


Transcription

One minute Bach practice with Ari. Playing the Bach Cello Suites is one of the sweetest things you can do on the bass. It’s also a heck of a technique workout. Just the opening statement takes you all across the fretboard .

What are you playing? You’re playing 1-5-10-9-10-5-10-5. Super easy to get tense, frustrated and give up. Don’t. Here’s a good tip: practice it through the cycle left or right doesn’t matter. I’m doing descending fifths here but it forces you to really know what you’re doing – you’re constantly shifting and adapting. What a great workout for the hand. You can take it all the way around to the key that you started with. If you wanted to step it up a notch do it through the diatonic cycle. Now I’m staying in one key and end up playing diminished minor… and major chords.

It’s a great drill.

Take another dip into The Importance of the Cycle of Fifths

Check out my 4-part Fugue with Stu Hamm 

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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