The Value of Pauses for Practicing

by Ari • 22 Nov 2015 — 4 minute read

How can we influence our habits? Specifically of interest for musicians – our practice habits! How can we reach our peak potential? How can we make our time in the practice room most effective?

These are questions that have interested me for as long as I have been doing music. I devour books on learning psychology, sports psychology, brain plasticity, brain health, habits and so on. For a while I took a detour from music to focus on these topics exclusively. NLP helped me personally with some issues, so I wanted to study it and became a Master Practitioner and Trainer, trained by the folks who developed it, such as Richard Bandler, Judith DeLozier, Robert Dilts, Betty-Alice Erickson and others; I also attended Saybrook University’s PhD program for a year;

NLP focuses on how language affects our behavior to achieve better results, be it the language we use with ourselves or how we talk to others. I assisted people with changing their habits for a while, but I could not stay away from playing and teaching music for too long and returned to it as a career. My interest in these matters and what I have learned from NLP and Psychology (and continue to learn) continues to benefit me every day. 

The Value of Pauses for Practicing

Does just blindly hitting the pinata lead to the fastest result? Value of Pauses when Practicing
Does just blindly hitting the pinata lead to the fastest result?

Practicing habits, how we motivate ourselves or how we push through performance anxieties (even if nobody is listening!) are such an integral part of a musician’s journey. I know a thing or two about these things, so I decided to share some of what has helped me on these topics in my blog even if they are not hands-on-fretboard. I believe they will still very much be worth your time.

I am a big fan of Dr. Noa Kageyama’s newsletter. Noa is a Julliard trained violinist as well as a Sports Psychologist. He specializes in performance enhancement, reduction of anxiety and audition preparation for orchestral musicians. I took a few skype lessons with him and read several books he recommended. A lot of what he has to say and shares is directly applicable for us bassists and the situations we play in, and the kinds of music we play. In the blog post linked below he comments on the value of short (about five seconds long) pauses while practicing. The most effective practice may not happen while we move our muscles!

I have observed in myself as well as my students that this constant urge to move the muscles can actually inhibit the learning process. I’d even go a step further and bring in some concrete things to do in the actual pause, such as mentally trouble shooting what could be done better, or listening back to a recording.

Read about the research Noa is reviewing here. I am thinking about printing out paragraph 2 of the section “The Value of the Pause” and hanging it up in my teaching studio! Or putting up an actual piñata as a reminder to take a pause, rather than being busy blindly hitting an invisible target and exhausting yourself in the process! Have a read and let me know what you think.

The short of it: 5 second pauses between repeats scored the most improvement.

Enjoy!

 
Dr. Noa Kageyama’s post: For more perfect practice try longer pauses
 
 
 
 
photo credit: <a href=”http://www.flickr.com/photos/28268328@N00/3012176223″>Pinata Pony</a> via <a href=”http://photopin.com”>photopin</a> <a href=”https://creativecommons.org/licenses/by-nc-sa/2.0/”>(license)</a>

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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Faucibus tellus sem

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