An All Female Jazz Camp – What Gives?

by Ari 12 Sep 2015 2 minute read

An All Female Jazz Camp – What Gives?

I wrote this article for Bass Musician Magazine in May 2015, in the wake of a great all female Jazz camp I have been teaching at since its inception, created and run by Jean Fineberg and Eileen Seeling, the Woman’s Jazz and Blues Camp at the California Jazz Conservatory. Interviewing some of the women attendees and faculty was a real eye opener…

AN ALL FEMALE JAZZ CAMP – WHAT GIVES?

It is 11.00AM on Monday, March 25th 2015, and the usual saxophone, trumpet and guitar cases are piled up in the hallways of Berkeley California’s Jazzschool. As on every Monday, you hear the muffled sounds of bands rehearsing, instructions shouted, occasional laughter. What is not business as usual, however, is that on this particular Monday the participants and instructors are all female. Were they all male with maybe an occasional female singer or pianist, it wouldn’t be worth extra mention. But for this week, The Jazzschool is exclusively dedicated to the underrepresented gender in Jazz. For five days, women instrumentalists and singers will hone their skills in ensembles and classes under the guidance of an all-female faculty. There will be a big concert at the end of camp.
Read the article here.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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