Beautiful Practice: Diatonic Triads in open position

by Ari • 26 Aug 2016 — 1 minute read

Beautiful Practice: Diatonic triads in an open position through the Diatonic Cycle

Who knew music theory exercises can sound so Bach-esque and pretty?
In this episode of Talking Technique on notreble.com I explain:

  • what diatonic means
  • what diatonic triads are
  • what I mean by “diatonic cycle”
  • and then I demonstrate this in all areas of the bass according to the Pattern System.

I just love the way it sounds. And, it is a killer workout for your right hand as well as left. PDF provided.

I am using a TC Electronic delay pedal and Wolf used a sweet plugin to create the sound that sounds like a violin pad in the beginning. Is all bass, though 🙂
 
Check out the minor variety of this practice as well. This episode made a favorites list on notreble.com, so I decided to repeat it in minor.
Enjoy!


And yes, that is a notreble beanie. I love it. It is soooooo soft!

My Gear:

Audio postproduction: wolftrackaudio.com

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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