Beautiful Practice in Minor

by Ari 22 May 2017 2 minute read

Beautiful Practice in Minor

Remember Beautiful Practice? I did this exercise in major and it made a favorites’ list on notreble. So I thought I bring it back, this time as Beautiful Practice in Minor.

One of my personal favorites, it is so cool because

  • it is a heck of a mental workout,
  • as well as a wicked technique drill,
  • and it sounds so great!

Let’s check out  Beautiful Practice in Minor!! It sounds like Bach, yet it is “just” a very strategic exercise playing through diatonic triads!

I not only follow the strict rules of the diatonic cycle, I also submit myself to strict rules of my “pattern system” ( the book is in the works!!) – so I play it in all five positions on the bass (according to the pattern system), thereby nailing all possible options. I explain it all step by step and this PDF on Beautiful Practice in Minor will help you out!

Hours of thought and preparation go into all my videos. Beautiful practice in particular took much thinking things through, – there is a lot that goes into this little exercise:

  • diatonic chords in a minor context
  • diatonic chords in the order of falling fifths (or ascending fourths, if you prefer)
  • spread out voicings
  • the pattern system – playing all over the neck

Please check out my course for a systematic, step by step way to learn how to do this. I will be with you every step of the way.

Here is the post on notreble.

And by the way – looking for advice on how to do the Hocket delay? That video is here:

Hocket Video for you

I play my Marleaux Consat Five String

Dean Markley SR 2000 strings

Fretwrap by Gruvgear (not in use on this one)

TC Electronic Delay Pedal

Sound by Wolf Wein (cool plug in, aye? It is all bass!)

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

Read more…

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