How difficult is it to convert from fretted to fretless bass playing?
While I don’t recommend to convert fully – both fretless and fretted have their uses – read in my article below what I recommend to keep in mind. The transition is so much easier if you have a solid one-finger-per-fret regimen under your fingers on the fretted bass. And intonation of course is the biggest challenge – check some tips for that in the article.
And experiment with all the options the fretless gives you and the fretted doesn’t – shaping the tones, vibrato, slides, pinch harmonic slides – a whole world of sound that the fretless offers.
My first fretless was an Alembic Elan. It was fretted, really, but when I got my first Marleaux I had a hard time parting with that Alembic, so I had the frets removed – basically as an excuse to keep it. It was a neck through bass, so it sounded really beautiful. What is nice about removing frets from a fretted instrument you know well, is that you already know the ins and outs of that instrument. I had the fret groves filled with a dark brown wood dust – against the black fretboard I could see the lines up close. The dots were where I was used to them being (between the “frets”, so I had no problem adjusting Many fretless basses that have no lines have dots exactly where the fret would be, so it takes a bit of getting used to.
Enjoy more tips on converting
And by the way, the bass in the picture above is a Fibenare bass. I am very lucky when it comes to amazing luthiers having built incredible instruments for me. But it is easy to get hung up on brands. While a great instrument is certainly an amazing thing, a lot of it is in the fingers.