The Flummoxing Phenomenon of Messing up in the Lesson or on Stage

by Ari • 25 Mar 2021 — 2 minute read

When Performing doesn’t go as practiced…

There is a reason. And a remedy!

We likely have all been there… aced the tune in the practice room.

Yet, when playing it for the teacher or wanting to show it off on stage, it’s doesn’t go as planned.

What is up with this flummoxing phenomenon?

 

Please read the excerpt from my new book – The Pattern System for the Bass Player – Sharpen Your Musical Mind Through Fretboard Proficiency, Improvisation and Mental Practice by Ariane Cap with Wolf Wein.

 

Before I start:
This book is an epic journey to the satisfying, comfortable command of the entire fretboard and – more importantly – the patterns of music! 

We talk about how to optimize your practice. We use improvisation and mental practice to ingrain the patterns of music in your mind and fingers to unlock your creativity like never before!

The correct use of the metronome is a must for my method and I go into when and precisely how to use it… and why. The metronome is so important in this program that we created a lively character named Skippy – he is a vintage metronome. He will be your trusted side-kick on this epic journey! He has a bit of an attitude but also a lot of wisdom.

Check out two pages from our new book and see what dear Skippy is up to…

 

In a PracticeGroup last week an attendee called this section “an eye-opener”.

 

 

FLummoxing phenomenon Ariane Cap bass

 

Has this ever happened to you? Can you relate? Let us know in the comments!


 

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

Read more…

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