The Horrors of Errors

by Ari 26 Jul 2017 2 minute read

The Horror of Errors

In this article I answer a question on quora about errors. Errors are a difficult topic for me personally because I have a history of being extremely hard on myself if things are not “perfect”. So much so that my self judgment at times completely paralyzed me and sure took the fun out of performing at times. It took me a long time and a lot of encouragement from my teachers and band mates to get better at handling mistakes. I also consciously worked on myself to be able to support myself and deal with nerves, judgment and perfectionism.

 

One of the most helpful tactics was that I started to record my gigs. That botched fill I played that ruined the whole evening for me? In the recording it is but a blip.

 

This going for an elusive perfection can take the feel,  groove and connection with the audience out of it; and, it can stop any kind of risk taking in its tracks. Yet, risk taking spices up the experience, makes interaction possible on a much higher level and is such a great challenge and experience! When it “works” it was so worth taking that risk! If it didn’t, there was something to be learned for next time.

 

Most importantly, I had to learn to find a different relationship to my own playing and the pernicious judge living inside of me. This is a journey and I feel good to be on it. In my experience, the effort paid off greatly.

 

I hope you find my answer useful. (If you cannot see the text box below, click here)

Read Ariane Cap’s answer to How do I handle my bass play errors when I’m playing with a band? on Quora

Here is an article on how to give constructive feedback. Small tweaks have a big effect….

 

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Bassist, author, educator.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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Faucibus tellus sem

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