The Practice habit that will make all the difference!

by Ari • 16 Jul 2023 — 3 minute read

With this bass practice habit you 10x your practice effect.

Learn why and how this practice habit is gold!

 

Video Transcript

So here’s a typical scenario. You’re practicing the first few measures of a tune and you’re doing great. Then you make a mistake, aargghhh, you go back, back up a little bit, fix it and move on. So, essentially you practice like this: play – make an error, aarggh – back up – fix it – keep going.

But here’s the danger, if you keep practicing like this you end up being able to only do it correctly once you did it wrong first. And you can end up in a really pesky loop: play – make an error – back up – fix it – keep going; Play – make an error, ugghh – back up – fix it – keep going; Play – make an error, ugghh – back up – fix it – keep going.

The only way you can play it correctly is if you make the error first. How can you avoid this scenario because eventually fixing that is very arduous? Avoid this loop in the first place. You do this as follows: first you analyze what the issue is. Typically, it’s one of these three reasons:

  1. Note problem
  2. Rhythmic problem
  3. Technique problem

If it’s a notes issue, slow it way down – no metronome for the stretch go as slow as you need to.Just find the right pitches.

While you’re at it, check if you’ve got good fingering because maybe there are different places where you can play the same note and it makes a little bit more sense to change that. If you know your theory because you read this book, you might also want to analyze what the context is, because that oftentimes gives you good clues as to what the fingering should be and where you should play it. By the way, make sure that you write down good fingerings.

Is it a rhythm issue?

Step 1: slow it down
Step 2: make sure you feel the subdivision
Step 3: find out what the rhythm is without the pitches
And you could bring in the metronome counting a lower subdivision.

Is it a technique issue? That’s a different video because there’s a lot that goes into good technique, but do remember what I said earlier about fingerings, because good fingerings will very much help you in your pursuit to play it smoothly.

To summarize: avoid falling into a loop of mistakes in the first place. It’s very hard to undo. You get there faster. Do not fall into a loop of mistakes.

 

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Bassist, author, educator.

Groove enthusiast and learning nerd.

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Hi. I'm Ari.

As a bassist, I have toured/played/recorded with a variety of rock, Jazz, and funk bands, I have worked with some incredible producers (Keith Olsen) and musicians (Paul Hanson, Muriel Anderson) and I toured Brazil with Stu Hamm as a duo.

 

As a bass teacher, I have taught at London Bass Day, Gerald Veasley’s Bass Boot Camp, SBL, Truefire, notreble… I even ran my own music school for a few years before gigs took me back on the road.

 

One thing to know about me is that I teach because I am absolutely fascinated with the learning process. And I am obsessed with helping others realize their musical potential.

 

When I started playing bass, I excelled very quickly because I had an amazing teacher who taught me using a powerful method. This method transformed my playing so quickly that I passed a bunch of high-level university auditions and even tested out of entire classes at university even though I had been playing for only a very short time.

 

That’s what, many years later turned into one of my books, co-written with Wolf Wein, called “The Pattern System for the Bass Player”. I created entire systems of learning based on some of these ideas and wrote books and created courses together with Wolf. Our bass books have sold over 30,000 copies and garnered rave reviews.

 

I started teaching online in 2009 and have embraced technology as a powerful learning tool since then, never losing sight of the importance of providing feedback and personalized guidance to learners.

 

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